翻訳と辞書
Words near each other
・ Njabulo Ncube
・ Njabulo Ndebele
・ NJAC
・ Njacko Backo
・ Njai
・ Njai Dasima
・ Njai Dasima (1929 film)
・ Njai Dasima (1932 film)
・ Njala
・ Njala Quan Sports Academy
・ Njala University
・ Njala, Moyamba
・ Njalila
・ Njama Forest Park
・ Njan Ekananu
Njan Gandharvan
・ Njan Kathorthirikkum
・ Njan Kodiswaran
・ Njan Ninne Marakkilla
・ Njan Ninne Premikkunnu
・ Njan Ninnodu Koodeyundu
・ Njan Onnu Parayatte
・ Njan Piranna Nattil
・ Njan Rajavu
・ Njan Salperu Ramankutty
・ Njan Samvidhanam Cheyyum
・ Njan Steve Lopez
・ Njan Sthree
・ Njananikshepam
・ Njangal Santhushtaranu


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Njan Gandharvan : ウィキペディア英語版
Njan Gandharvan

''Njan Gandharvan'' ((マラヤーラム語:ഞാന്‍ ഗന്ധര്‍വന്‍), translation: ''I, Celestial Lover'') is a 1991 Malayalam fantasy romance film written and directed by P. Padmarajan. It stars Nitish Bharadwaj and Suparna Anand in lead roles.
The film is an esoteric fantasy about a girl and her passion for a celestial lover, who keeps appearing from a wooden statue that she found on a beach but is invisible to others.
==Plot==

On a study tour, Bhama (Suparna Anand), a final-year degree student, finds a wooden sculpture on the beach. She finds it beautiful and decides to keep it. The same night in her hotel room, when all her friends have gone for dinner, Bhama takes it out and keeps it on her bed. The sculpture magically turns into a young man (Nitish Bharadwaj), who passionately kisses Bhama. Bhama is attracted to him, but he vanishes. At her study leave, while preparing for examinations, Bhama again feels his presence. She moves towards a tree, but is stunned to find a beautiful blue butterfly. She hears his voice in the air, introducing himself as a gandharva who has developed a particular liking for her. At her request, he appears in front of her as a normal man. The gandharva asks her to call him Devan and she falls in love with him.
Bhama asks her grandmother (Philomina) about gandharvas. Gandharvas, according to Hindu mythology, are celestial musicians and Soma providers in Devaloka, and are destined to entertain devas and lords. They are born from the sweat (or breath) of Lord Brahma and have no death, with the ability to change form or appear anywhere at will. When gandharvas commit crimes, they are cursed to roam the earth for several kalpas, inhabiting Paala trees, seducing mortal women and stealing their virginity before abandoning them. Bhama asks Devan if he would ever desert her, to which he replies that he is just a slave of Lord Indra and has no power to remember the past once they left the earth. But Devan assures her that he will stay back on earth and will never return to Devaloka. Devan hands her a diamond named Rudhiraksham, which is holy and divine. He adds that whenever she feels like seeing him, she just has to kiss it.
Meanwhile, Pradeep (Ganeshan), Bhama's fiancé, is desperately trying to woo her, which she flatly refuses. He finds Devan and Bhama together at restaurants and parks, which he reports to her mother (Sulakshana). One day, Devan makes a surprise visit to Bhama's house and stuns her. With his magical talent in music, he wins the hearts of both her mother and grandmother. Both now are willing to see her married to him.
Everything seems to be going fine, when one evening, Devan loses his voice. A voice (Padmarajan) speaks to Devan from the fallen branch of the Paala tree, whose sap starts to bring forth blood, warning him that he has broken the laws of Devaloka and that he is to be punished for his crimes by Chitraradhan, who is the king of the celestial city of the gandharvas. Devan and Bhama frantically try to run away from the situation, but in vain. As he is about to be taken away from Bhama, Devan motions to Bhama to not summon him with the holy Rudhiraksham again. A lost and gloomy Bhama pines for her beloved in the forthcoming period, which worries her family, making them agree to her marrying Devan, assuming that would make her happy. However, when her father (M. G. Soman) asks her to request Devan to bring his parents so that their marriage may be fixed, Bhama finds herself in a quandary. Left without a choice, she is forced to violate Devan's warning and summon him with the Rudhiraksham. Devan does not appear before her; instead, Bhama perceives the terrible lashes that are being meted out in punishment to the gandharvan.
More than a week passes, and one night Bhama finds, to her joy, that Devan has returned to her. Devan informs Bhama that he had to undergo cruel tortures in the halls of Chitraradhan's celestial palace for seven nights and seven days. While a gandharva is not supposed to come in daylight and is not permitted to meet human beings other than his lover, Devan had broken the law by appearing in public and singing songs for others. He also violated the rule of turning the mortal woman he comes into contact with into a mere slave for taking away her virginity, and gave Bhama control over him by giving her his holy Rudhiraksha, with which she could summon him at will. After the punishments were over he was given back his voice, on condition that he should not speak to Bhama with it. A worried Bhama listens to Devan as he tells her how he needs no voice, if it were not to speak to her, and that he had to wait the past two nights to hoodwink the Spies of the Night to come and meet her. He declares that he is fed up with the bondages of Svarga (Heaven), and that unlike his previous encounters with mortal women, he passionately loves Bhama, and the warmth of her family and human relationships, to the point of wanting to live and die as a human being with her. He tells Bhama that if he manages to not attract the Spies this third night, he will succeed in permanently turning into a human.
Suddenly, strong winds blow at the couple. As the winds die down, a burning celestial handcuff falls onto Devan's forearm and as he painfully manages to remove it, the Divine Creator and the gandharvas' celestial father, Lord Brahma (Narendra Prasad), speaks to the gandharvan, informing him that he and his crimes, which include his persistence in desiring the lowly mortality of earth, have once again been discovered. Lord Brahma also warns him that the harsh punishments of Indra, lord of the devas, await him in Naraka (hell), including having to embrace and sleep with molten hot female figurines, each one representing a moment he spends with Bhama that night, among other tortures in hells filled with snakes, poisoned spears and floors slipping with blood. Lord Brahma informs his son that he is now forbidden from all sunlit days and moonlit nights for all time to come and that the holy Rudhiraksham which he had given Bhama will turn into powerless white dust, which Bhama immediately confirms to be true, to her utter horror. The only way for him to alleviate some of the gravity of his punishment is to take Bhama's virginity from her before the Seventeenth Wind of the Night comes to take him to hell, thus erasing both their mutual memories forever, and failing which, Brahma tells Devan, he will be sentenced to turn into a hideous, foul-smelling beast, neither human nor gandharva, roaming around for a billion kalpas. Devan decides to refuse his Divine Father's advice, and prepares to welcome his terrible fate. Bhama advises him to leave her and go back, so that he will not have to undergo the severe tortures of Indra. She also wants to give up her virginity to him, for although Devan's memories are her most valued possession, she wants to sacrifice them in order to save him and to not have to bear the continued perception of his cruel tortures which would otherwise haunt her throughout her life. They indulge in a physical relationship that night, which she considers the most valuable gift that she can have from him. The night fades away and the heavy Seventeenth Wind of the Night comes in. When the wind moves away, Devan slowly vanishes and Bhama is shown weeping and looking far away.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Njan Gandharvan」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.